imageNet::Classify( 0x(nil), 1280, 720 ) -> invalid parameters Imagenet-camera: failed to convert from NV12 to RGBA Imagenet-camera: camera open for streaming gstreamer changed state from READY to PAUSED => mysink Streaming stopped, reason not-negotiated (-4) gstreamer Debugging info: gstbasesrc.c(3055): gst_base_src_loop (): /GstPipeline:pipeline0/GstV4l2Src:v4l2src0: gstreamer v4l2src0 ERROR Internal data stream error. gstreamer changed state from PAUSED to PLAYING => v4l2src0 gstreamer changed state from PAUSED to PLAYING => capsfilter0 gstreamer changed state from PAUSED to PLAYING => videoconvert0 ![]() gstreamer changed state from PAUSED to PLAYING => capsfilter1 gstreamer changed state from PAUSED to PLAYING => videoconvert1 gstreamer changed state from READY to PAUSED => pipeline0 gstreamer changed state from READY to PAUSED => v4l2src0 ![]() gstreamer changed state from READY to PAUSED => capsfilter0 gstreamer changed state from READY to PAUSED => videoconvert0 gstreamer changed state from READY to PAUSED => capsfilter1 gstreamer changed state from READY to PAUSED => videoconvert1 gstreamer changed state from NULL to READY => pipeline0 gstreamer changed state from NULL to READY => v4l2src0 gstreamer changed state from NULL to READY => capsfilter0 gstreamer changed state from NULL to READY => videoconvert0 gstreamer changed state from NULL to READY => capsfilter1 gstreamer changed state from NULL to READY => videoconvert1 gstreamer changed state from NULL to READY => mysink gstreamer transitioning pipeline to GST_STATE_PLAYING Loaded image fontmapA.png (256 x 512) 2097152 bytes Networks/bvlc_googlenet.caffemodel initialized. ImageNet – loaded 1000 class info entries networks/bvlc_googlenet.caffemodel loaded cudaAllocMapped 8000 bytes, CPU 0x100f60000 GPU 0x100f60000ĭevice GPU, networks/bvlc_googlenet.caffemodel initialized. binding to output 0 prob dims (b=2 c=1000 h=1 w=1) size=8000 binding to output 0 prob binding index: 1 binding to input 0 data binding index: 0 device GPU, CUDA engine context initialized with 2 bindings device GPU, networks/bvlc_googlenet.caffemodel loaded loading network profile from engine cache… networks/bvlc_googlenet.caffemodel.2.1. attempting to open engine cache file networks/bvlc_googlenet.caffemodel.2.1. selecting fastest native precision for GPU: FP16 native precisions detected for GPU: FP32, FP16 requested fasted precision for device GPU without providing valid calibrator, disabling INT8 desired precision specified for GPU: FASTEST detected model format - caffe (extension ‘.caffemodel’) – class_labels networks/ilsvrc12_synset_words.txt – model networks/bvlc_googlenet.caffemodel ImageNet – loading classification network model from: Imagenet-camera: successfully initialized video device gstCamera successfully initialized with GST_SOURCE_V4L2 V4l2src device=/dev/video0 ! video/x-raw, width=(int)1280, height=(int)720, format=YUY2 ! videoconvert ! video/x-raw, format=RGB ! videoconvert !appsink name=mysink ![]() gstCamera attempting to initialize with GST_SOURCE_NVCAMERA The camera works fine with Cheese, but when I try to run imagenet-camera with it, I get no video and this feedback on the terminal: I am trying to use follow the tutorial here using a Sony Playstation Eye Camera. I’m new to the Jetson community and could use some help.
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![]() Whenever she is turned on or off, a logo reminds us that she is a product of Wallace Industries. She is a constant reminder to K that they are both constructed artificial beings. Joi is a sexbot slave that functions to explore K’s own sense of humanity and emotional development. ![]() No female character has a purpose that doesn’t serve a man. The film’s beautiful aesthetics aside, the world of Blade Runner 2049 is a misogynistic one where characters of colour are once again consigned to the periphery. While Zimmer is typically bombastic here, the score compliments the epic visuals to create a visceral experience. At other times it is an almost unbearable blare. The score from Hans Zimmer and Benjamin Wallfisch is sometimes poignant. In one particularly bewitching scene as Deckard and K brawl, holograms of Elvis and Marilyn Monroe flicker in the background in a nostalgic display of Las Vegas’ former excess. Deakins creates a story of colours, from the yellows of the Wallace headquarters to the reds of Las Vegas. Many frames are infused with a level of detail that will continue to satisfy with repeat viewings. The much-lauded retro-futurist visuals are a testament to cinematographer Roger Deakins, in his third collaboration with Villeneuve. Throughout the course of the film, Joi appears to develop genuine emotions for K, who can - and does - turn her off when she isn’t needed. Switching from appearances such as a 1950s housewife to a manic pixie dream girl, she is a built-to-order confidante, reminiscent of Spike Jonze’s sentient operating system in Her, although without the narrative depth. When at home, Agent K is comforted by Joi (Ana de Armas), a hologram he treats as a doting lover. And so, pursued by the ruthless Luv, Agent K must track down Deckard and the identity of the miracle child. This leads K to visit the headquarters of replicant manufacturer Niander Wallace (Jared Leto), whose steely servant Luv (Sylvia Hoeks) reveals that the remains belong to Rachael. While unsettling, Lieutenant Joshi (Robin Wright) orders Agent K to retire the child and remove all evidence as the knowledge that replicants can reproduce is far too dangerous. Set 30 years after Deckard escapes with Rachael, an obedient replicant Blade Runner, Agent K (Ryan Gosling), discovers the remains of another that died in child birth. ![]() To retain one’s directorial style in a franchise such as Blade Runner is no easy task. With questions of identity and humanity as central concerns, Blade Runner 2049 is no different. In Enemy, Jake Gyllenhaal plays a man seeking out an exact lookalike he spotted in a film. Prisoners is a “whodunnit” with Jack Gylleenhaal and Hugh Jackman, playing a detective and father respectively, desperately trying to find abducted children. In Arrival, we piece together Louise’s (Amy Adams) backstory as she learns to communicate with aliens. Many of Villeneuve’s films work as puzzles for the viewer. While this subservience of women may well be a critique of the dystopian politics of the Blade Runner universe, no female character is granted any significant agency. In one particularly disturbing scene, Deckard restrains Rachael and forcibly kisses her. ![]() Videoder is an android app that allows you to download the entire playlist of Youtube. Download YouTube playlist using YouTube playlist downloader online free (Videoder)? But if you want to download playlists to your Android gallery then how can you download them? Let us see what are the methods to download a playlist to the android gallery? 2. In the previous method, we downloaded the videos offline on YouTube itself.
![]() It’s a nice change in tone for me, because I’ve been talking about all these other dark movies that I’ve been doing.” It’s a movie that I am excited to see now, and I know I would have seen 850 times in the theater as a 13- or 14-year-old. “I loved the original and I also really, really love our version,” Wolff says. The next major step for Wolff comes later this year, when he stars alongside Dwayne Johnson and Kevin Hart in December’s Jumanji: Welcome to the Jungle, the big-budget sequel-slash-reimagining of the beloved 1995 Robin Williams film. I’m proud of that show, but I see myself every time as I get older, trying to honor what I’m interested in at each stage of my life.” You have to be honest to what you’re into at the time. “This is just the work that I’m interested in doing now. “I’ve always done things that were true to me,” says Wolff, who previously appeared in the coming-of-age drama Coming Through the Rye, inspired by J.D. While the film marks a stark departure for Lynch, who made a name for himself on Disney’s Austin & Ally, Wolff has found a comfortable distance from his family TV background on The Naked Brothers Band with brother Nat Wolff ( The Fault in Our Stars) by taking on darker roles and discovering his own path as an actor. MORE: Amanda Knox, OJ Simpson and Our Fascination With True Crime It pulls the rug out from under you, which is why it’s such a disturbing movie.” The one thing I like in the movie is there’s a mark about halfway through where you think, ‘Oh, they’re going to change history and he’s not going to become a serial killer.’ Even if you know the history, you think it’s going to be OK, because they’re all having fun. ![]() “This shows you how that friendship informed his life. “What this movie does so gracefully is that it makes you see Jeff and not always Jeffrey Dahmer,” Wolff says. Those brief moments during high school when Dahmer was just a dorky guy trying to find his way lend an eerie sadness to the film, one that Wolff says was a challenge when trying to make a movie about such a notorious individual. The movie, part of which was shot in Dahmer’s real-life childhood home in Akron, Ohio, walks a deliberate tightrope of presenting Dahmer as navigating through the fraught high school years and tamping down the monstrous urges that would appear shortly after he graduated. “I think the film is excellent, very true to the book. He studied the book, of course, and there’s more than enough material there for him,” Backderf says. “Everyone has their own process and, having one myself, I respect that. ![]() Wolff didn’t meet with his real-life counterpart before filming - and the artist, who worked on the graphic novel for nearly 15 years, understood Wolff’s decision. The movie is a really riveting depiction of the breaking down of a friendship, the disintegration of a connection between these two young people.” ![]() You want to like him, you want to feel for him, but he lacks a little bit of empathy and it takes him longer than you would like to realize that there’s something off about Dahmer. “He’s the coolest of the nerds, but I liked that he’s in-between. “I found Derf to be a really interesting character - someone who seemed really warm and inviting, but he’s also full of contradictions,” Wolff says. MORE: A Guide to the Serial Killers (and Infamous Murderers) Taking Over Film and TV in 2017 |
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